Kingdom(s) Come
نویسندگان
چکیده
Over twenty years since its original release, Final Fantasy VII (Square 1987) fans continue to debate the video game’s world and characters as they are mixed remixed into new licensed products. This article explores fan metanarrative that circulates story, ludology, industry discourses bind VII. It will demonstrate how practices operate within community spaces locate, present, police both knowledge meanings about a fictional itself is continually being reshaped by transmedia production milieu. ongoing debates circulating Cloud, Tifa, Aerith from VII, their respective remixing Kingdom Hearts franchise. Through discourse analysis (Gee, 2007) of online Western bases, published above-the-line interviews (Mayer et al. 2009), self-reflexive experiences (Hills 2002), I seek complexity attempt locate (and generate) narrative coherency. argue do not simply enjoy games for variance in gameplay story but better understanding growing complex subject sanctioned rewrites. Drawing on Eiji Ōtsuka’s theories variation (2010), this can function textual barristers attempts untangle media mix (Steinberg, 2012) through reiterations, adaptations, world-sharing with series.
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ژورنال
عنوان ژورنال: Loading ..
سال: 2022
ISSN: ['1923-2691']
DOI: https://doi.org/10.7202/1092426ar